SCREEN GEMS MOVIE SERIES

In February 1928, when the character proved more successful than expected, Disney sought to meet with Mintz over the budget, wanting to spend more on the cartoons. The result was Oswald the Lucky Rabbit, the first animated character for Universal Pictures. After Mintz become involved with the progress it was clear that Disney was unhappy with the production costs on cartoons, and he asked Disney and Ub Iwerks to develop a new character. The following year the Alice Comedies stopped being distributed by Winkler. In 1925 Winkler's renewal contract for the Felix shorts was written, yet Winkler declined to renew due to her dispute with Sullivan. Mintz quickly assumed Winkler's role in the company, later rebranding it Winkler Pictures. In 1924, Charles Mintz married Winkler, and the latter's career began to decline.

SCREEN GEMS MOVIE SERIES

The two agreed to make a series about the cartoon. Winkler saw an unreleased short called Alice's Wonderland, a cartoon produced and directed by Walt Disney, and became impressed with the short. By 1923 she and Sullivan were arguing, and that same year the Fleischer Brothers formed their own distribution company named Red Seal. Winkler Productions and soon also took control of Max and Dave Fleischer's series Out of the Inkwell. Winkler that she should form her own company and take control of the distribution of the series. When producer Pat Sullivan came to Harry Warner to sign a contract with him on his and Otto Messmer's series Felix the Cat, he declined and instead told his soon-to-be former secretary Margaret J.

The label currently serves as a film production and distribution label that specializes in genre films, mainly horror. It has served several different purposes for its parent companies over the decades since its incorporation, initially as a cartoon studio, then a television studio, and later on as a film studio. Screen Gems is an American brand name used by Sony Pictures Entertainment Motion Picture Group, a subsidiary of Japanese multinational conglomerate, Sony Group Corporation. May 6, 1974 49 years ago ( ) (television division)

For the New York company, see EUE/Screen Gems.ġ921 102 years ago ( 1921) (animation division)ġ948 75 years ago ( 1948) (television division)ġ998 25 years ago ( 1998) (film division)ġ946 77 years ago ( 1946) (animation division) Horror movies are, for the most part, notoriously cheap to make but have a relatively recent history of scaring up box office gold.This article is about the animation/television/feature film production company owned by Sony. Given the recent Renaissance of originality in the genre, it makes sense that the studio would want to replicate the successes of such critical and financial darlings as IT, Get Out, Us, A Quiet Place, Split, The Conjuring universe and many more. We are providing a one-of-a-kind launch pad for horror filmmakers and films of tomorrow.”Īs a genre-specific label, Screen Gems has an extensive history of producing horror film, both of the original kind as well as some not-so-successful remakes like the most recent Friday the 13th and A Nightmare On Elm Street films. “With proof-of-concept emerging as a reliable source material for feature films, the aim is to work with filmmakers at the incubation stage to help actualize their concepts and grow the material organically through the development process. Ground Control founder Scott Glassgold wants to double down on that methodology, saying: Ground Control has a pretty successful history of adapting short films into features, having nourished such success as Zeek Earl and Chris Caldwell’s 2018 sci-fi film Prospect, which stars Pedro Pascal, Sophie Thatcher, and Jay Duplass, as well as HaZ Sulull’s The Beyond. We pride ourselves on supporting next generation creatives and see this as another way to bring exciting new talent and ideas to global audiences.” “We envision the Horror Lab as another step in the evolution of our label as a leading genre supplier. Steve Bersch, head of Screen Gems, shared his vision for Horror Lab:

The first step in the program will focus on the creation of horror shorts with the ultimate goal of adapting them into feature-length projects.

Sony Pictures is partnering with Ground Control, a management and production company, to launch Horror Lab, an initiative aimed at fostering and developing horror-specific proof-of-concepts.Ĭourtesy of Deadline, Horror Lab will aim to work with budding filmmakers on new and original content for the horror genre.

Screen gems movie